Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

you're want to buy Mockingjay (The Final Book of The Hunger Games) [Kindle Edition],yes ..! you comes at the right place. you can get special discount for Mockingjay (The Final Book of The Hunger Games) [Kindle Edition].You can choose to buy a product and Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] at the Best Price Online with Secure Transaction Here...





other Customer Rating:



read more Details

Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for the unrest? Katniss. And what's worse, President Snow has caused it to be clear that no-one else remains safe and secure either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to become one of the most talked about books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it genuinely end the best way you planned it in the beginning?

A: Very much so. While Some know every detail, of course, the arc with the story from gladiator game, to revolution, to war, on the eventual outcome remained constant throughout the writing process.

Q: We understand you worked about the initial screenplay to get a film to become based on The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you can't take everything with you. The story has to become condensed to fit the new form. Then there's the question of how best to adopt a novel told inside the first person and present tense and transform it right into a satisfying dramatic experience. In the novel, you don't ever leave Katniss to get a second and therefore are privy to all of her thoughts so you will need a way to dramatize her inner world and to make it possible for other characters to exist beyond her company. Finally, you have the challenge of the easiest way to present the violence while still maintaining a PG-13 rating to ensure your core audience can view it. A great deal of the situation is acceptable over a page that couldn't survive on a screen. So how certain moments are depicted could eventually be within the director's hands.

Q: Are you capable to consider future projects while working on The Hunger Games, or are you immersed inside the world you might be currently creating so fully which it is simply too challenging to think about new ideas?

A: I've a couple of seeds of ideas boating in my head but--given that much of my focus continues to be on The Hunger Games--it will likely be awhile before one fully emerges i can begin to develop it.

Q: The Hunger Games is a yearly televised event where one boy the other girl from each in the twelve districts is expected to participate in a very fight-to-the-death on live TV. What do you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are often unknown, which means they are relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, in order that when they see real tragedy playing out on, say, the news, it does not possess the impact it should.

Q: In the event you were forced to compete in the Hunger Games, so what can you imagine your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope would be to obtain hold of the rapier if there were one available. But the facts is I'd probably get of a four in Training.

Q: What does one hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how exactly elements from the books could be relevant in their own lives. And, when they are disturbing, whatever they might do about them.

Q: What were some of one's favorite novels when you are a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss a single more Hunger Game, but this time around it is for world control. While it is really a clever twist for the original plot, it indicates that there exists less focus on the individual characters plus more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and at her own motives and choices. This is definitely an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn in the rebels as well as the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to a unsure return to sweetness. McCormick also helps to create the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each from the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.